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Edition 46 Part 3

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LITERATURE STUDIES

  1. Avksentieva H., Malytska O.
    THE SPECIFICS OF PORTRAITURE IN VALERII SHEVCHUK’S BOOK “INSIDE THE BELLY OF AN APOCALYPTIC BEAST”
  2. Аdamovych A., Zimonova O., Shlieina L.
    DANIEL OF GALICIA IMAGE AS AN ARTISTIC CONCEPT IN THE UKRAINIAN LITERATURE OF XX CENTURY
  3. Aleksandrova G.
    TRADITIONS OF FRENCH NOIR IN DANNIEL PENNAC’S NOVEL “THE SCAPEGOAT”
  4. Artemenko L.
    HISTORICAL GENESIS OF POETOLOGICAL ARTISTIC SUBJECT MATTER IN THE WORKS OF CLASSICAL LITERATURE
  5. Babai L.
    THE MICROTOPONYMY OF THE WORLD OF SEVEN KINGDOMS IN THE NOVEL BY G.R.R. MARTIN “A GAME OF THE THRONES”
  6. Bereznikova N.
    MARKERS OF INDIVIDUAL SELF-DEVELOPMENT IN THE COLLECTIVE IDENTITY OF MODERN NATIVE AMERICANS OF NORTH AMERICA (ON THE EXAMPLE OF SHERMAN ALEXI’S STORY “SEARCH ENGINE”)
  7. Bondareva O.
    AN ANTI-WAR PLAY OF THE MIDDLE OF THE XX CENTURY: PRINCIPLES OF CONSTRUCTION AND APPEAL TO DELL’ARTE PRACTICES, SITUATION COMEDY, CINEMA, DIDACTIC THEATER, THEATER OF CRUELTY (BASED ON ROBERTO ARLTA’S “IRON HOLIDAY”)
  8. Brovko О.
    METHODOLOGY AND INTERPRETATION MODELS OF UKRAINIAN LITERATURE IN THE WORKS OF MAGDALENА LASZLO-KUTSІUK
  9. Velychkovska Yu.
    REACTION LEVELS TO THE PROBLEM OF DEVELOPMENT OF ANTI-COLONIAL IDEAS IN THE NATIONAL LITERATURE OF THE XVIII – FIRST HALF OF THE XIX CENTURIES
  10. Virych O.
    THE PROBLEM OF EXISTENCE OF THE UKRAINIAN PEOPLE IN CRISIS SITUATIONS (BASED ON THE NOVEL BY M. MATIOS “NATION”)
  11. Gurduz A.
    COMBINATORIALITY OF MYTHOPOETICS OF THE NOVEL “JONATHAN STRANGE & MR NORRELL” BY SUSANNA CLARKE
  12. Dynnychenko T.
    METAPHORICAL MODELLING OF A PSYCHOLOGICAL DISORDER IN THE NOVEL BY A. FRANCE “THE GODS ARE ATHIRST”
  13. Dmytrenko V.
    ARTISTIC EXPLOITATION OF CREATIVITY IN UKRAINIAN SOCIAL FAIRY TALES
  14. Zhovtani R. Ya.
    THE CULTUROLOGICAL ASPECTS OF FLASH FICTION BY ERNST WIECHERT
  15. Kovpik S.
    FUNCTION OF THE FATE EVENT IN THE SHORT STORY “THE PIGEN” BY P. SUSSKIND
  16. Kryzhna A.
    THE INTERPRETATION OF THE IMAGE OF DON JUAN IN A DRAMATIC POEM OF LESYA UKRAINKA “KAMYNNY GOSPODAR”
  17. Kruk A. A.
    THEMATIC CONGENIALITY OF T. HARDY AND I. NECHUI-LEVYTSKYI’S PROSE: LANDSCAPE AND DOMESTIC MOTIVES
  18. Kulinska Ya.
    MODERN MILITARY DIARIES: SELF-EXPRESSION OR THE TEXT OF MEMORY?
  19. Lenok M.
    SPECIFIC OF CHRONOTOPE IN D. KAZANSKYI’S ARTISTIC REPORTAGE “SANITARY ZONE”
  20. Meleshchenko V., Chernii L.
    POSTCOLONIAL DISCOURSE OF CONTEMPORARY AFRICAN LITERATURE: STRATEGIES, NARRATIVE AND LETTER
  21. Melnykova K., Hastynshykova L.
    FEATURES OF THE CHRONOTOPE IN THE POSTMODERN LITERATURE ON THE EXAMPLE OF JOHN FOWLES’S NOVELS “THE FRENCH LIEUTENANT’S WOMAN” AND “THE MAGUS”
  22. Muratova O.
    BIOGRAPHY AS A FORM OF COGNIZING AN ARTIST’S PERSONALITY: THE ESSENCE, ASPECTS, AND INTERPRETATIONS
  23. Pidopryhora S.
    INTERACTIVE GAME BOOKS: THE UKRAINIAN CONTEXT
  24. Rudnytska A., Arnaut F.
    METAFICTION IN THE ORHAN PAMUK’S NOVEL “THE RED-HAIRED WOMAN”
  25. Tenditna N.
    EMOTIONAL PALETTE OF MANIAC CRIME IN O. ULIANENKO’S NOVEL “DAUPHIN OF SATAN”
  26. Titova O.
    NARRATIVE RESOURCES OF PERIODS-STORIES AT THE LEVEL OF A FICTIONAL TEXT
  27. Sharov S., Skorytsia D.
    THE SPECIFICS OF THE CHRONOTOPE IN CHILDREN’S BOOKS BY ZIRKA MENZATIUK: POETIC FEATURES
  28. Shukay O.
    NATIONAL IDENTITY OF FEMALE IMAGES IN O. ZABUZHKO’S NOVEL “MUSEUM OF ABANDONED SECRETS”

TRANSLATION AND INTERPRETATION STUDIES

  1. Bilyk O., Podoliak Z.
    FIGURATIVE COMPARATIVE CONSTRUCTIONS AND WAYS OF THEIR REPRODUCTION IN THE UKRAINIAN TRANSLATIONS (BASED ON J. MARTIN’S NOVEL “GAME OF THRONES”)
  2. Bondar L., Shkoliar L., Shumchenko T.
    LEXICAL AND SEMANTIC FEATURES OF FRENCH DIPLOMATIC TEXTS AND MEANS OF THEIR REPRODUCTION IN THE UKRAINIAN LANGUAGE
  3. Havrylova I.
    THE PECULIARITIES AND METHODS OF TRANSLATION OF THE POLITICALLY CORRECT VOCABULARY
  4. Holubenko N.
    PARAMETERS OF ADEQUATE AND EQUIVALENT TRANSLATION OF THE MEANS OF EXPRESSING MODALITY AS A FUNCTIONAL-SEMANTIC CATEGORY IN TEXTS OF THE ARTISTIC DISCOURSE
  5. Ibragimova S.
    COMPONENTS OF THE WRITTEN TECHNICAL COMMUNICATION IN THE FRENCH PATENTS FOR THE INVENTION AND SPECIFICS OF THEIR TRANSLATION INTO UKRAINIAN
  6. Kovalchuk O. Ya., Popadynets O. O.
    BYRON’S POETRY IN LESIA UKRAINKA’S INTERPRETATION
  7. Kozhedub L., Lalaian N.
    TRANSLATION OF WORKS BY BERNHARD SCHLINK INTO GERMAN (BASED ON THE NOVEL “THE READER”)
  8. Nechyporenko B.
    LEXICAL AND STYLISTIC DIFFICULTIES IN TRANSLATING PHRASEOLOGICAL UNITS IN MODERN ENGLISH
  9. Radchenko T.
    ADEQUACY OF TRANSLATION (EXEMPLIFIED BY A NEW CONVERSATIONAL VOCABULARY AND PHRASEOLOGY OF ENGLISH)
  10. Romaniukha M.
    NORMS IN TRANSLATION: INTERNATIONAL ASPECT
  11. Stoyanova I., Sokolovska L.
    CONCEPT STATE IN THE NOVEL BY GEORGE ORWELL “1984”: PECULIARITY OF ITS LINGUISTIC REPRESENTATION IN THE ORIGINAL AND TRANSLATION
  12. Chepurna Z.
    FUNCTIONING OF NOUN-OYCONYMS AND ADJECTIVE-OYCONYMS IN GERMAN AND UKRAINIAN CULTURES
  13. Chugu S. D.
    TRANSLATING UNTRANSLATABLE IN LITERARY NARRATIVES: BROADENING THE INTERPRETATION SCOPE

REVIEWS

  1. Komarov S. A.
    «LIVE. CREATE. DIE» (REVIEW OF THE MONOGRAPH BY O.O. KRYZHANOVSKA «LANKA»-MARS (LINK-WORKSHOP FOR REVOLUTIONARY WORD) AND «THE SERAPION BROTHERS»: COMPARATIVE TYPOLOGICAL ASPECT»)
  2. Pena L. I.
    UKRAINIAN FEMINICON: FROM THE ORIGINS TO MODERNITY (REVIEW OF THE MONOGRAPH BY M.P. BRUS «FEMINITIVES IN THE UKRAINIAN LANGUAGE: GENESIS, EVOLUTION, FUNCTIONING»